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Minds without a body; phantom flesh; vision without a gaze. We have opted for our biological body to mutate into a telematic and a Cartesian body. We remotely transit cyberspace territories, we use more than one body, more than one gaze. Our biological body is more like a zombie, because it is there, but in an absent way. We are still here, but our eyes wander in other universes. We have "(...) a sliding and shifting consciousness that is neither <<completely here>>, in this body, nor <<completely there>>, in those bodies." We rely on technology to expand our body; we desire to let the flesh die; a camera sees better than our eyes.

The exhibition arises as an idea of permanent visibility, using an artifact of political technology, which is transformed into a device of voyeurism, and telepresence for those eyes that need artificial vision. The eye-camera is subjected to a device, which many times is not being observed by any person: it is being transmitted to a machine and not to an observer. By whom are we being watched?

The works presented in Pan-Tilt-Zoom have been conceived on small screens to recall the unfolding of the point of view, and to resort to other ocular perceptions. These are works subjected to a field of vision given by the electronic image.

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